After setting up my little consulting table at the Palace Hotel during Lucca, I found myself tired of discourse and yearning for play. When a friend I hadn't seen for a while passed by, with a copy of Trollbabe (in Italian, published by Narrattiva) in hand, that seemed like the perfect plan.
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Contrary to a lot of play culture right now, I'm not too invested in single-session, highly staged play. I don't mind the technique itself and have myself written some games along those lines, especially It Was a Mutual Decision, but there are so many of these at present, I find myself attracted mainly to "hey, we make up characters and play them for a long time," at least at the moment.
Hey! Alex cleverly informed Paul and me that he wanted to do an interview after we were trapped in the back seat on the way to Lucca from our apartment (in Viareggio? one of those coastal towns). I can now boast that I was able to unburden my soul to a geisha! Because cosplayers count.
When I finally got to the Indie Palace area at Lucca, in the Palace Hotel, Beatrice Da Vela and Filippo Zolesi, the latter a.k.a. our very own Pippo Jedi at the Patreon, came to see me with their game Quella Volta Che. It's not funny or cute, but head-on, headlong into the thick of sexual harassment as experienced by anyone. It's intended to be published with a collection of survivor/testimony accounts of harassment.
This post is a bit complicated: Daniele and Giulia brought Emanuele Galletto's Blood Red Blossoms to me to look at, and I roped them into playing a little. The next day, I asked Emanuele to talk with me about it. So it's not really a consult but more like Actual Play in one video with me in a semi-consult role in the next (the main one at the end).