I’m not making any claims about the logic or organization by this point in our talks, rather, I’m hoping Justin isn’t thinking that I’m totally making it up as I go. It's certainly been helpful to me to recognize what pieces I need to pull into their own how we play discussion so they can be treated as understood for a how we design presentation.
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Justin Nichol and I continue our discussion, or training, regarding game design. This session (in 5 videos) delves into the way we talk / the way we roll. The topic shifts quite logically from whether & when describing things colorfully works, to gaudy and painful consequences of moment-by-moment decision-making.
Hey! Alex cleverly informed Paul and me that he wanted to do an interview after we were trapped in the back seat on the way to Lucca from our apartment (in Viareggio? one of those coastal towns). I can now boast that I was able to unburden my soul to a geisha! Because cosplayers count.
I'd provide the two character-sheet diagrams I examined while preparing for play, but they are both the same: about 80% of the items on each one was now slammed into the center, including new ones that had been acquired from each other's sheet.
In other words, both sorcerers (Ahmet and Ingmar), their demons (Solomon and Odd John), the crucial designs of the tattoos and runes from the ruins, the murder victims (Mehmet and Julia)
It may not appear in every Sorcerer game, but if you have to bet on what's in one, you won't go too far wrong with tattoos. In this case, due to the emergent Nordic Noir in our pets + ancient ruins opening statements, it's tattooed dead people. And apparently, tattooed dead people getting up and walking out of morgues.
First session of Sorcerer! Allowing for a little more time to finalize the characters and one of the demons. As discussed in the previous post, the starting statements are Demons are pets and Ancient ruined cities, and our first meeting resulted in a strong Nordic Noir vibe as well. Pedro is playing Ingmar, a Swedish police detective, and Aybars is playing Ahmet, a Turkish police captain.
"Demon pets," I told them, and "Ancient cities." After this meeting, we're starting up with one sorcerer maximizing the first and the other maximizing the second, and with a fine mix of the components in this post's title.
This is Sorcerer, with me, Pedro, and Aybars. There is an almost physical impression of commitment among us.
The Games and Education podcast series by Keenan Kibrick is no small thing! I am very happy to be invited for a conversation there, and even more so about morality, explicit content, real-world emotions, and boundaries. That's what my 2003 publication Sex & Sorcery was all about.