Prompted by our discussions in the comments across posts here, Lorenzo Colucci brought the relevant mechanics of his game in design, Crescent (working title), for some high-focus work with me.
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Patrons will recognize Zac Porcu as the instigator and interlocutor in the huge discourse on role-playing that made available to them a few years ago, and viewers here may recall the Sorcerer Musik game that he and Jann played in. He and Jann are now working on a role-plyaing game composed of easily-used cards transported in a small, nice-looking box.
Megan Bennett-Burks and I toss some topics back and forth mainly because we both grapple with them. You'll probably recognize my beefs with crowdfunding, or rather, how it happened to turn out in practice, despite my support for the basic idea; also, my ongoing effort to distinguish between text as teaching vs. reference vs. user manual.
The mystic world heard my cry, evidently, and has delivered a glowy burst of conversations about what dice do, especially when rolled in profusion. This time I have the pleasure of talking with Ben Milton, in an almost completely unconstructed, non-interview-like chat just because we like these dice things.
Here’s one of the two workshops I presented at Lucca. It was prompted by two short videos I posted here in the past few months: The role of the roll and Emergent plot techniques, which have led me to a generally larger argument.
What's funny about "prep sunk cost anxiety" as a phrase is that I'm not sure it's well constructed in