Bleed as a term has arisen in and around the safety-techniques discussion of the past decade; I'm not sure who coined it or in what context. It concerns strong and possibly aversive or uncontrollable emotions that well up during play. If I'm not mistaken, at least sometimes it's identified as undesirable or unsafe.

Here's our play experience with Ola's Compact Stories, which is well-timed considering our recently-concluded season of Primetime Adventures. It's a chance to perceive precisely what distinguishes his design, and for him to see what to dial down or to dial up inside it.

I think you'll find this one interesting. Jared and I have known each other a long time, and in a significant fashion affecting the history of role-playing design. We don't explain when we talk, we say things and the other gets to process them internally and to decide what to say next. We just take it as given that there's some connection made and go on to make our own, and there is no overt "work" concerning the game design.

I love this quote from The Mountain Witch: "All conflict is a form of combat." For Justin Nichols' Kinfolk, the issue is that he's got a big whole-game arc of whether the invading industrials can be successfully repelled or otherwise stopped by the fey folk ... and sure, you can make a chapter structure, and sure, you can think of points that accumulate through lower-scale actions and fights ...